The Grant Wood Art Colony
Grant Wood (1891-1942) helped develop the Stone City Art Colony in Stone City, Iowa, which operated during the summers of 1932 and 1933. The Grant Wood Art Colony, under the direction of the School of Art and Art History at UIowa, honors Wood's belief in the importance of art colonies by offering the Grant Wood Fellowship program and organizing a biennial symposium.
1970.43, Amon Carter Museum of American Art, Fort Worth, Texas
Grant Wood was born in Anamosa, Iowa, and trained at the Art Institute of Chicago and the Academie Julian in Paris, France. He taught art in the public schools of Cedar Rapids, Iowa from 1919 to 1924 and at the University of Iowa from 1935 to 1940. He is one of the major figures in American Regionalism, sharing this distinct status with Thomas Hart Benton and John Stewart Curry. The Regionalist artists reflected the isolationist attitudes of the country between World War I and World War II. This was evident in the art world as well as in politics. The artists of this historical style were rebelling against Modernist art, which was seen as elitist, foreign-influenced, and not representative of the American experience. The art produced during this period was socially-conscious, but was nationalistic and chauvinistic about life in America.
Parson Weems' Fable is Wood's playful satire of the famous tale about George Washington's inability to tell a lie. That story is now understood as a bit of folklore, but it was once propagated as truth by Mason Locke ("Parson") Weems, Washington's first biographer. Weems fell from grace once it was discovered that this and other tales he had published in his book, The Life of George Washington: With Curious Anecdotes, Equally Honourable to Himself, and Exemplary to His Young Countrymen, were just that: tales. Dr. Annelise K. Madsen, Assistant Curator of American Art at the Art Institute of Chicago, will be discussing this and other of Wood's "story" paintings in her paper, "'Something of Color and Imagination': Grant Wood, Storytelling, and the Past's Appeal in Depression-Era America."
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